{"id":157,"date":"2020-06-05T20:34:14","date_gmt":"2020-06-05T20:34:14","guid":{"rendered":"https:\/\/sites.haa.pitt.edu\/na-dah\/?page_id=157"},"modified":"2020-06-05T20:34:14","modified_gmt":"2020-06-05T20:34:14","slug":"collected-bibliography-for-the-nadah-workshop","status":"publish","type":"page","link":"https:\/\/sites.haa.pitt.edu\/na-dah\/collected-bibliography-for-the-nadah-workshop\/","title":{"rendered":"Collected Bibliography for the NA+DAH Workshop"},"content":{"rendered":"<div><a href=\"https:\/\/www.zotero.org\/groups\/2311761\/na__dah\/library\">Here is a link also to the Zotero library<\/a>, where you can find PDFs of many of the texts below. This list was largely assembled in July 2019.<\/div>\n<div class=\"csl-bib-body\" style=\"line-height: 2;margin-left: 2em;text-indent: -2em\">\n<div class=\"csl-entry\">\n<h3>General Studies on Network Analysis<\/h3>\n<div class=\"csl-entry\">Brughmans, Tom, et al., editors.\u00a0<i>The Connected Past: Challenges to Network Studies in Archaeology and History<\/i>. First edition, Oxford University Press, 2016.<\/div>\n<div class=\"csl-entry\">Crookham, Alan, and Stuart Dunn. \u201cReframing Art: Opening Up Art Dealers\u2019 Archives to Multi-Disciplinary Research.\u201d\u00a0<i>Visual Resources<\/i>, vol. 35, no. 1\u20132, Apr. 2019, pp. 180\u201383.\u00a0<i>Taylor and Francis+NEJM<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1080\/01973762.2019.1553447\">10.1080\/01973762.2019.1553447<\/a>.<\/div>\n<div class=\"csl-entry\">Easley, David, and Jon Kleinberg.\u00a0<i>Networks, Crowds, and Markets: Reasoning about a Highly Connected World<\/i>. Cambridge University Press, 2010.<\/div>\n<div class=\"csl-entry\">Feindt, Gregor, et al. <i>Entangled Memory: Toward a Third Wave in Memory Studies<\/i>. 2014, doi:<a href=\"https:\/\/doi.org\/10.1111\/hith.10693\">10.1111\/hith.10693<\/a>.<\/div>\n<div class=\"csl-entry\"><i>Global Trends in Museum Diplomacy: Post-Guggenheim Developments, 1st Edition (Hardback) &#8211; Routledge<\/i>.\u00a0<a href=\"https:\/\/www.routledge.com\/Global-Trends-in-Museum-Diplomacy-Post-Guggenheim-Developments-1st-Edition\/Grincheva\/p\/book\/9780815370949\">https:\/\/www.routledge.com\/Global-Trends-in-Museum-Diplomacy-Post-Guggenheim-Developments-1st-Edition\/Grincheva\/p\/book\/9780815370949<\/a>. Accessed 7 Aug. 2019.<\/div>\n<div class=\"csl-entry\">Jackson, Cornell. \u201cUsing Social Network Analysis to Reveal Unseen Relationships in Medieval Scotland.\u201d\u00a0<i>Digital Scholarship in the Humanities<\/i>, vol. 32, no. 2, Oxford Academic, June 2017, pp. 336\u201343.\u00a0<i>academic.oup.com<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1093\/llc\/fqv070\">10.1093\/llc\/fqv070<\/a>.<\/div>\n<div class=\"csl-entry\">Joyeux-Prunel, B\u00e9atrice. \u201cCirculation and the Art Market.\u201d\u00a0<i>Journal for Art Market Studies<\/i>, vol. 1, no. 2, Aug. 2017.\u00a0<i>fokum-jams.org<\/i>, doi:<a href=\"https:\/\/doi.org\/10.23690\/jams.v1i2.13\">10.23690\/jams.v1i2.13<\/a>.<\/div>\n<div class=\"csl-entry\">Kienle, Miriam.\u00a0<i>Between Nodes and Edges:\u00a0 Possibilities and Limits of Network Analysis in Art History<\/i>. no. 3.<\/div>\n<div class=\"csl-entry\">Lemercier, Claire. \u201c12. Formal Network Methods in History: Why and How?\u201d\u00a0<i>Social Networks, Political Institutions, and Rural Societies<\/i>, edited by Georg Fertig, vol. 11, Brepols Publishers, 2015, pp. 281\u2013310.\u00a0<i>Crossref<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1484\/M.RURHE-EB.4.00198\">10.1484\/M.RURHE-EB.4.00198<\/a>.<\/div>\n<div class=\"csl-entry\">Lincoln, Matthew D. \u201cConfabulation in the Humanities.\u201d\u00a0<i>Matthew Lincoln<\/i>, 21 Mar. 2015,\u00a0<a href=\"http:\/\/matthewlincoln.net\/2015\/03\/21\/confabulation-in-the-humanities.html\">http:\/\/matthewlincoln.net\/2015\/03\/21\/confabulation-in-the-humanities.html<\/a>.<\/div>\n<div class=\"csl-entry\">Mills, Barbara J. \u201cSocial Network Analysis in Archaeology.\u201d\u00a0<i>Annual Review of Anthropology<\/i>, vol. 46, no. 1, 2017, pp. 379\u201397.\u00a0<i>Annual Reviews<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1146\/annurev-anthro-102116-041423\">10.1146\/annurev-anthro-102116-041423<\/a>.<\/div>\n<div class=\"csl-entry\">Moravec, Michelle. \u201cNetwork Analysis and Feminist Artists.\u201d\u00a0<i>Artl@s Bulletin<\/i>, vol. 6, no. 3, 2017.<\/div>\n<div class=\"csl-entry\">Moretti, Franco. \u201cGraphs, Maps, Trees, Abstract Models for Literary History.\u201d\u00a0<i>New Left Review<\/i>, vol. 24, Dec. 2003, pp. 67\u201393.<\/div>\n<div class=\"csl-entry\">&#8212;.\u00a0<i>Network Theory, Plot Analysis<\/i>. p. 42.<\/div>\n<div class=\"csl-entry\">\u00d6stborn, Per, and Henrik Gerding. \u201cNetwork Analysis of Archaeological Data: A Systematic Approach.\u201d\u00a0<i>Journal of Archaeological Science<\/i>, vol. 46, June 2014, pp. 75\u201388.\u00a0<i>ScienceDirect<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1016\/j.jas.2014.03.015\">10.1016\/j.jas.2014.03.015<\/a>.<\/div>\n<div class=\"csl-entry\">Pezzini, Barbara. \u201cThe \u2018Art\u2019 and the \u2018Market\u2019 Elements of the Art Market: John Linnell, William Agnew and Artist-Dealer Relationships in Nineteenth-Century Britain.\u201d\u00a0<i>Journal for Art Market Studies<\/i>, vol. 2, no. 4, Dec. 2018.\u00a0<i>www.fokum-jams.org<\/i>, doi:<a href=\"https:\/\/doi.org\/10.23690\/jams.v2i4.40\">10.23690\/jams.v2i4.40<\/a>.<\/div>\n<div class=\"csl-entry\">Piotrowski, Michael.\u00a0<i>Accepting and Modeling Uncertainty<\/i>. 2019,\u00a0<a href=\"http:\/\/dx.doi.org\/10.17175\/sb004_006\">http:\/\/dx.doi.org\/10.17175\/sb004_006<\/a>.<\/div>\n<div class=\"csl-entry\">Porras, Stephanie. \u201cKeeping Our Eyes Open:\u00a0 Visualizing Networks and Art History.\u201d\u00a0<i>Artl@s Bulletin<\/i>, vol. 6, no. 3.<\/div>\n<div class=\"csl-entry\">Schich, Maximilian, et al.\u00a0<i>Network Dimensions in the Getty Provenance Index<\/i>. June 2017.\u00a0<i>arxiv.org<\/i>,\u00a0<a href=\"https:\/\/arxiv.org\/abs\/1706.02804v1\">https:\/\/arxiv.org\/abs\/1706.02804v1<\/a>.<\/div>\n<div class=\"csl-entry\">Sielke, Sabine. \u201cNetwork and Seriality: Conceptualizing (Their) Connection.\u201d\u00a0<i>Amerikastudien\/American Studies<\/i>, vol. 60, no. 1, 2015, pp. 81\u201395.<\/div>\n<div class=\"csl-entry\">Smith, Brian Cantwell. \u201cThe Limits of Correctness.\u201d\u00a0<i>ACM SIGCAS Computers and Society<\/i>, vol. 14,15, no. 1,2,3,4, Jan. 1985, pp. 18\u201326.\u00a0<i>Crossref<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1145\/379486.379512\">10.1145\/379486.379512<\/a>.<\/div>\n<div class=\"csl-entry\">Sun, Yanan. \u201cFrom Diagram to Network.\u201d\u00a0<i>Social Informatics<\/i>, edited by Akiyo Nadamoto et al., Springer Berlin Heidelberg, 2014, pp. 100\u201309.<\/div>\n<div class=\"csl-entry\"><i>Towards Interoperable Network Ontologies for the Digital Humanities | International Journal of Humanities and Arts Computing<\/i>.\u00a0<a href=\"https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/ijhac.2016.0157\">https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/ijhac.2016.0157<\/a>. Accessed 1 Apr. 2019.<\/div>\n<div class=\"csl-entry\">Verhoeven, D. \u201cAs Luck Would Have It: Serendipity and Solace in Digital Research Infrastructure.\u201d\u00a0<i>Feminist Media Histories<\/i>, vol. 2, no. 1, Jan. 2016, pp. 7\u201328.\u00a0<i>DOI.org (Crossref)<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1525\/fmh.2016.2.1.7\">10.1525\/fmh.2016.2.1.7<\/a>.<\/div>\n<div class=\"csl-entry\">Vespignani, Alessandro. \u201cModelling Dynamical Processes in Complex Socio-Technical Systems.\u201d\u00a0<i>Nature Physics<\/i>, vol. 8, no. 1, Jan. 2012, pp. 32\u201339.\u00a0<i>DOI.org (Crossref)<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1038\/nphys2160\">10.1038\/nphys2160<\/a>.<\/div>\n<h3>Tutorials and Guides<\/h3>\n<div class=\"csl-entry\">Baca, Murtha.\u00a0<i>Introduction to Metadata<\/i>. 20 July 2016,\u00a0<a href=\"http:\/\/www.getty.edu\/publications\/intrometadata\">http:\/\/www.getty.edu\/publications\/intrometadata<\/a>.<\/div>\n<div class=\"csl-entry\">D\u00fcring, Marten. \u201cFrom Hermeneutics to Data to Networks: Data Extraction and Network Visualization of Historical Sources.\u201d\u00a0<i>Programming Historian<\/i>, Feb. 2015.\u00a0<i>programminghistorian.org<\/i>,\u00a0<a href=\"https:\/\/programminghistorian.org\/en\/lessons\/creating-network-diagrams-from-historical-sources\">https:\/\/programminghistorian.org\/en\/lessons\/creating-network-diagrams-from-historical-sources<\/a>.<\/div>\n<div class=\"csl-entry\">\u201cGEPHI \u2013 Introduction to Network Analysis and Visualization.\u201d\u00a0<i>Martin Grandjean<\/i>,\u00a0<a href=\"http:\/\/www.martingrandjean.ch\/gephi-introduction\/\">http:\/\/www.martingrandjean.ch\/gephi-introduction\/<\/a>. Accessed 1 Aug. 2019.<\/div>\n<div class=\"csl-entry\">Ladd, John, et al. \u201cExploring and Analyzing Network Data with Python.\u201d\u00a0<i>Programming Historian<\/i>, Aug. 2017.\u00a0<i>programminghistorian.org<\/i>,\u00a0<a href=\"https:\/\/programminghistorian.org\/en\/lessons\/exploring-and-analyzing-network-data-with-python\">https:\/\/programminghistorian.org\/en\/lessons\/exploring-and-analyzing-network-data-with-python<\/a>.<\/div>\n<div class=\"csl-entry\">Langmead, Alison, et al. \u201cA Role-Based Model for Successful Collaboration in Digital Art History.\u201d\u00a0<i>International Journal for Digital Art History<\/i>, no. 3, July 2018.\u00a0<i>journals.ub.uni-heidelberg.de<\/i>, doi:<a href=\"https:\/\/doi.org\/10.11588\/dah.2018.3.34297\">10.11588\/dah.2018.3.34297<\/a>.<\/div>\n<div class=\"csl-entry\">Newman, M. E. J.\u00a0<i>Networks<\/i>. Second edition, Oxford University Press, 2018.<\/div>\n<div class=\"csl-entry\">Posner, Miriam. \u201cMiriamposner\/Cytoscape_tutorials.\u201d 2016.\u00a0<i>GitHub<\/i>, 19 June 2019,\u00a0<a href=\"https:\/\/github.com\/miriamposner\/cytoscape_tutorials\">https:\/\/github.com\/miriamposner\/cytoscape_tutorials<\/a>.<\/div>\n<div class=\"csl-entry\">Saint-Raymond, Lea.\u00a0<i>Enriching and Cutting:\u00a0 How to Visualize Networks Thanks to Linked Open Data Platforms<\/i>. no. 3, 2017.<\/div>\n<div class=\"csl-entry\"><i>Simple Gephi Project from A to Z<\/i>.\u00a0<a href=\"https:\/\/seinecle.github.io\/gephi-tutorials\/generated-html\/simple-project-from-a-to-z-en.html\">https:\/\/seinecle.github.io\/gephi-tutorials\/generated-html\/simple-project-from-a-to-z-en.html<\/a>. Accessed 31 Mar. 2019.<\/div>\n<div class=\"csl-entry\">Weingart, Scott. \u201cDemystifying Networks.\u201d\u00a0<i>The Scottbot Irregular<\/i>, 14 Dec. 2011,\u00a0<a href=\"http:\/\/www.scottbot.net\/HIAL\/?p=6279\">http:\/\/www.scottbot.net\/HIAL\/?p=6279<\/a>.<\/div>\n<h3>Case Studies<\/h3>\n<div class=\"csl-entry\">Ahnert, Ruth, and Ahnert, Sebastian. \u201cMetadata, Surveillance and the Tudor State.\u201d\u00a0<i>History Workshop Journal<\/i>, vol. 87, no. Spring 2019, pp. 27\u201351.<\/div>\n<div class=\"csl-entry\">Brosens Koenraad, et al. \u201cThe Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers, 1599 \u2013 1706: A Multi-Faceted Analysis.\u201d\u00a0<i>Zeitschrift F\u00fcr Kunstgeschichte<\/i>, vol. 82, no. 4, 2019, p. 531, doi:<a href=\"https:\/\/doi.org\/10.1515\/ZKG-2019-4003\">10.1515\/ZKG-2019-4003<\/a>.<\/div>\n<div class=\"csl-entry\">Fletcher, Pamela, and Anne Helmreich. \u201cLocal\/Global:\u00a0 Mapping Nineteenth-Century London\u2019s Art Market.\u201d\u00a0<i>Nineteenth-Century Art Worldwide<\/i>, vol. 11, no. 3.<\/div>\n<div class=\"csl-entry\">Gierlichs, Joachim. \u201cFriedrich Sarre (1865-1945): The Reconstruction of His Collection of Islamic Art.\u201d\u00a0<i>Sz\u00e1nt\u00f3, Iv\u00e1n &amp;amp; Yuka Kadoi (Eds.): The Reshaping of Persian Art<\/i>.\u00a0<i>www.academia.edu<\/i>,\u00a0<a href=\"https:\/\/www.academia.edu\/40189224\/Friedrich_Sarre_1865-1945_The_Reconstruction_of_His_Collection_of_Islamic_Art\">https:\/\/www.academia.edu\/40189224\/Friedrich_Sarre_1865-1945_The_Reconstruction_of_His_Collection_of_Islamic_Art<\/a>. Accessed 8 May 2020.<\/div>\n<div>Giuffre, Katherine. &#8220;Sandpiles of Opportunity: Success in the Art World.&#8221;\u00a0<i>Social Forces<\/i> 77, no. 3 (1999): 815-32. <a href=\"https:\/\/doi.org\/10.2307\/3005962\">https:\/\/doi.org\/10.2307\/3005962<\/a>.<\/div>\n<div class=\"csl-entry\">Howald, Christine, and Lea Saint-Raymond. \u201cTracing Dispersal:\u00a0 Auction Sales from the Yuanmingyuan Loot in Paris in the 1860s.\u201d\u00a0<i>Journal of Art Market Studies<\/i>, vol. 2, 2018.<\/div>\n<div class=\"csl-entry\">Hulst, Titia. \u201cThe Vicissitudes of Taste: The Market for Pop.\u201d\u00a0<i>Journal for Art Market Studies<\/i>, vol. 1, no. 2, Aug. 2017.\u00a0<i>fokum-jams.org<\/i>, doi:<a href=\"https:\/\/doi.org\/10.23690\/jams.v1i2.10\">10.23690\/jams.v1i2.10<\/a>.<\/div>\n<div class=\"csl-entry\">Lincoln, Matthew. \u201cContinuity and Disruption in European Networks of Print Production, 1550-1750.\u201d\u00a0<i>Artl@s Bulletin<\/i>, vol. 6, no. 3, Nov. 2017, p. Article 2.<\/div>\n<div class=\"csl-entry\">&#8212;. \u201cSocial Network Centralization Dynamics in Print Production in the Low Countries, 1550-1750.\u201d\u00a0<i>International Journal for Digital Art History<\/i>, no. 2, Oct. 2016.\u00a0<i>journals.ub.uni-heidelberg.de<\/i>, doi:<a href=\"https:\/\/doi.org\/10.11588\/dah.2016.2.25337\">10.11588\/dah.2016.2.25337<\/a>.<\/div>\n<div class=\"csl-entry\">Overton, Keelan. \u201c\u2018A History of Ottoman Art History through the Private Database of Edwin Binney, 3rd.\u2019 Journal of Art Historiography, No. 6, June 2012, Pp. 1-19, Special Volume Dedicated to Islamic Art Historiography, Eds. Moya Carey and Margaret Graves.\u201d\u00a0<i>Journal of Art Historiography<\/i>.\u00a0<i>www.academia.edu<\/i>,\u00a0<a href=\"https:\/\/www.academia.edu\/2084526\/_A_History_of_Ottoman_Art_History_through_the_Private_Database_of_Edwin_Binney_3rd._Journal_of_Art_Historiography_no._6_June_2012_pp._1-19_special_volume_dedicated_to_Islamic_art_historiography_eds._Moya_Carey_and_Margaret_Graves\">https:\/\/www.academia.edu\/2084526\/_A_History_of_Ottoman_Art_History_through_the_Private_Database_of_Edwin_Binney_3rd._Journal_of_Art_Historiography_no._6_June_2012_pp._1-19_special_volume_dedicated_to_Islamic_art_historiography_eds._Moya_Carey_and_Margaret_Graves<\/a>. Accessed 8 May 2020.<\/div>\n<div class=\"csl-entry\">Pezzini, Barbara. \u201cThe \u2018Art\u2019 and the \u2018Market\u2019 Elements of the Art Market: John Linnell, William Agnew and Artist-Dealer Relationships in Nineteenth-Century Britain.\u201d\u00a0<i>Journal for Art Market Studies<\/i>, vol. 2, no. 4, Dec. 2018.\u00a0<i>www.fokum-jams.org<\/i>, doi:<a href=\"https:\/\/doi.org\/10.23690\/jams.v2i4.40\">10.23690\/jams.v2i4.40<\/a>.<\/div>\n<div class=\"csl-entry\">Rhodes II, Mark Alan. \u201cPaul Robeson\u2019s Place in YouTube: A Social Spatial Network Analysis of Digital Heritage.\u201d\u00a0<i>DSH<\/i>, vol. 34, no. 1, 2019, pp. 174\u201388.<\/div>\n<div class=\"csl-entry\">Yael, Rice. \u201cWorkshop as Network:\u00a0 A Case Study from Mughal South Asia.\u201d\u00a0<i>Artl@s Bulletin<\/i>, vol. 6, no. 3.<\/div>\n<h3>Project Websites<\/h3>\n<div class=\"csl-entry\"><i>DHQ: Digital Humanities Quarterly: Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks<\/i>.\u00a0<a href=\"http:\/\/digitalhumanities.org\/dhq\/vol\/10\/3\/000244\/000244.html\">http:\/\/digitalhumanities.org\/dhq\/vol\/10\/3\/000244\/000244.html<\/a>. Accessed 1 Aug. 2019.<\/div>\n<div class=\"csl-entry\">\u201cExploring Big Historical Data: The Historian\u2019s Macroscope.\u201d\u00a0<i>Exploring Big Historical Data: The Historian\u2019s Macroscope<\/i>,\u00a0<a href=\"http:\/\/www.themacroscope.org\/2.0\/\">http:\/\/www.themacroscope.org\/2.0\/<\/a>. Accessed 1 Aug. 2019.<\/div>\n<div class=\"csl-entry\"><i>Itinera<\/i>.\u00a0<a href=\"https:\/\/itinera.pitt.edu\/\">https:\/\/itinera.pitt.edu\/<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\">Kaplan, Fr\u00e9d\u00e9ric. \u201cThe Venice Time Machine.\u201d\u00a0<i>Proceedings of the 2015 ACM Symposium on Document Engineering<\/i>, ACM, 2015, pp. 73\u201373.\u00a0<i>ACM Digital Library<\/i>, doi:<a href=\"https:\/\/doi.org\/10.1145\/2682571.2797071\">10.1145\/2682571.2797071<\/a>.<\/div>\n<div class=\"csl-entry\"><i>Mapping Art Markets in Europe<\/i>.\u00a0<a href=\"http:\/\/www.artmarkets.eu\/presentation\/?lang=en\">http:\/\/www.artmarkets.eu\/presentation\/?lang=en<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\"><i>Mapping the Republic of Letters<\/i>.\u00a0<a href=\"http:\/\/republicofletters.stanford.edu\/\">http:\/\/republicofletters.stanford.edu\/<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\"><i>MoMA | Inventing Abstraction | Connections<\/i>.\u00a0<a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2012\/inventingabstraction\/?page=connections\">https:\/\/www.moma.org\/interactives\/exhibitions\/2012\/inventingabstraction\/?page=connections<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\"><i>The Sphere: Knowledge System Evolution and the Shared Scientific Identity in Europe | MPIWG<\/i>.\u00a0<a href=\"https:\/\/www.mpiwg-berlin.mpg.de\/project\/the-sphere\">https:\/\/www.mpiwg-berlin.mpg.de\/project\/the-sphere<\/a>. Accessed 3 May 2019.<\/div>\n<div class=\"csl-entry\"><i>Time Machine Europe<\/i>.\u00a0<a href=\"https:\/\/www.timemachine.eu\/\">https:\/\/www.timemachine.eu\/<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\"><i>Visualizing Historical Networks<\/i>.\u00a0<a href=\"http:\/\/histecon.fas.harvard.edu\/visualizing\/index.html\">http:\/\/histecon.fas.harvard.edu\/visualizing\/index.html<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\"><i>VTM \u2013 Venice Time Machine<\/i>.\u00a0<a href=\"https:\/\/vtm.epfl.ch\/\">https:\/\/vtm.epfl.ch\/<\/a>. Accessed 23 Sept. 2019.<\/div>\n<div class=\"csl-entry\">Warren, Christopher N., et al. \u201cSix Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks.\u201d\u00a0<i>Digital Humanities Quarterly<\/i>, vol. 010, no. 3, July 2016.<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Here is a link also to the Zotero library, where you can find PDFs of many of the texts below. This list was largely assembled in July 2019. General Studies on Network Analysis Brughmans, Tom, et al., editors.\u00a0The Connected Past: Challenges to Network Studies in Archaeology and History. First edition, Oxford University Press, 2016. Crookham,&#8230;<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-157","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/pages\/157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/comments?post=157"}],"version-history":[{"count":0,"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/pages\/157\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.haa.pitt.edu\/na-dah\/wp-json\/wp\/v2\/media?parent=157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}